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Originally posted by Nathan Explosion

bu ise metal hammer'dan acayip gaza getirici bir track by track review:

IRON MAIDEN The Final Frontier Track-By-Track

Somewhere between the dark and menacing war stories of A Matter Of Life And Death and the prog-tinged melodic bombast of Brave New World, albeit with a vast amount of fresh ideas thrown in for good measure, The Final Frontier is every bit as strong as the last three Maiden albums. The difference between this one and its predecessors is that these songs repeatedly take the Brit metal legends into uncharted territory. This is a demanding album, but one that most Maiden fans are going to absolutely adore…

SATELLITE 15…THE FINAL FRONTIER

Everyone has heard the album’s title track by now, and it’s a straightforward and infectious slab of muscular hard rock that seems destined to open Maiden shows for the foreseeable future…but it’s the first part of this bi-polar album opener that is going to blow fans’ minds. A disorientating maelstrom of swirling distortion, thudding double kicks and bizarre spectral vocals, Satellite 15 is undoubtedly the weirdest thing the band have ever recorded. It’s heavy, it’s left-field and it’s utterly unexpected.

Şarkının kısaltılmış versiyonundan da belli olabileceği üzere 3 albümdür değişmeyen straightforward rocker (rokçu) Adrian açılış şarkısı. Sipariş! Ama sanki biz anlamayalım formülü diye şarkıya bir de 2. bir bölüm eklenmiş intro hesabı. Olmuş sana 9 dakka streytforvırt şarkı. Ayol o nasıl şeymiş öyle demezler mi adama Steve efendi? Bakıyoruz Smith/Harris. Yani Wildest Dreams. Bir etti.



EL DORADO

Opinion seems to be divided about whether El Dorado is simply a solid, straightforward Maiden tune or something genuinely special. In fact, it’s a bit of both; a bold and boisterous seven-minute epic with an infectious chorus and a few deftly-executed twists and turns, all custom-built to go down an absolute storm live.

Jam şarkısı. Iron Maiden yapmasa dinlenmez. Steve'in prodükterliğini yaptığı, kendi gibi hırbolardan oluşan Dirty Deeds diye grup vardı. Onların bir yere varmayan şarkıları gibi. Ama nakarattaki modülasyon ve Bruce'un zeki lyricleri takdire şayan. Bir de son 3 albümde karşılığı yok bu şarkının.

MOTHER OF MERCY

A dark and menacing song that could easily have been on A Matter Of Life And Death, this is one of those archetypal horrors-of-war anthems that Maiden do so well. It starts with a faintly proggy intro – a whiff of Steve Harris’ beloved Jethro Tull, perhaps – before morphing into a brooding, slow-motion gallop, not a million miles from Stranger In A Strange Land (from Somewhere In Time), but with a much more sinister overall vibe. “Sick of all the killing and the reek of death…” sings Bruce at one point.

Yine bir Smith/Harris ve yine bir SAVAŞLI şarkı. Karşılığı=Longest Day. Doymadı gitti herif tüfenge piştova. Evde gene sorunlar var anlaşılan

COMING HOME

A bombastic, lighters-in-the-air ballad with a difference, Coming Home marries a giant, sing-along chorus to some subtly progressive riffs and a typically adventurous arrangement. Undeniably sentimental, this is plainly Bruce Dickinson’s song, as he sings about returning home and seeing the lights on the runway as his plane descends to Earth. Not many bands could pull this off without setting off the cheese alarm. Maiden do it brilliantly. A live classic in the making.

Bruce şarkısı ve Power Ballad. Karşılığı_Out of the Shadows.

THE ALCHEMIST

Arguably the most old fashioned song on the album, this punchy four-minute burst of speed, energy and irresistible Lizzy-esque lead guitar harmonies would have fit neatly onto Fear Of The Dark and nimbly ticks all the necessary boxes to please the die-hards. Interestingly, this has the same title as a song from Bruce Dickinson’s classic solo album Chemical Wedding. The two songs are utterly dissimilar, however.

Steve: CANİKÇİM (Steve Janick'i bu şekilde telaffuz ediyor). Sen şimdi geçen albümde Pilgrim diye kısa şarkı yapmıştın, böyle vurucu. Sen biliyorsun artık bizim olayımızı. Yap şöyle kısasından çift gitarlı oynak şarkı neşemizi bulalım. Burus'um sen de böyle Sinya bilimiyle ilgili şarkı yazmıştın. Bir daha yazsana, zira ben çok ilgi duyuyorum son zamanlarda.

Bruce (içinden): Wicker Man'i zkti, Alchemist'i zikti ulan yarın sakın ola gözü bizim döte dikmesin.



ISLE OF AVALON

Possibly the finest thing on The Final Frontier and certainly one of the strongest songs Maiden have produced in years, Isle Of Avalon takes the band into unfamiliar melodic territory, with a few unconventional time signatures and proggy detours adding to the intense freshness that pervades throughout its nine minute duration, and a simply enormous chorus that will surely translate extremely well live. There’s a vague hint of Paschendale (from 2003’s Dance Of Death) and a nod or two to Maiden’s Somewhere In Time album here.

Bir Smith/Harris daha. Adrian'a "hacı senden iyi proggy adam olur, epic adam olur" diye gazı veren adamın boyu devrilir inşallah. Bir de bu EKSKALİBAR efsanesi de gene Bruce konusu. Bkz. Return of the King. BURUSÇUĞUM, izninle ben flklörümüzün bu güzide hikayesine gendi yorumumu katmak istiyürüm.

STARBLIND

Another song that is full of surprises, despite Maiden’s unmistakable sound, this is another epic that brims with great riffs, melodies and subtle textural touches. Almost psychedelic in places, Starblind has a genuinely otherworldly feel, particularly during its intricate midsection which boasts a phenomenal bluesy lead break over some sumptuous, mellow guitar work from the Three Amigos.

Bana Accident of Birth tarzı birşey gibi geliyor isminden dolayı sanırsam. Yorum kasamıycam buna.

THE TALISMAN

Another song that would have fit on A Matter Of Life And Death, The Talisman is dark and complex, but it also flows beautifully, spreading out from its folky intro into a powerful main verse riff and a seriously explosive chorus with Bruce bellowing at the top of his not inconsiderable lungs. Despite being nine minutes long, this one whizzes by in what seems like half that time.

CANİKÇİĞİM, sen gene böyle hoplamalı zıplamalı, RAKSETMELİ, epik şarkı yazsana bana. The Legacy olsun, RAKS of Death olsun. Bu tarz şeyler. Folklörik olsun.



THE MAN WHO WOULD BE KING

An eerie, unsettling intro leads into some crushing, doomy chords before this sprawling epic switches direction and heads into a superbly catchy and muscular verse riff and another big chorus. Like many songs on The Final Frontier, The Man Who Would Be King seldom does exactly what you would expect, and yet it all makes perfect sense by the time its rambling, harmony-packed intro fades gently away…

Al şu açıklamayı, Benjamin Breeg şarkısının altına koy, sırıtmaz. Yazarına bakıyoruz. Yanakları bin Amasya elmasından daha kırmızı olan DEYV MÖRİ.

WHEN THE WILD WIND BLOWS

Based on author Raymond Briggs’ grim post-nuclear fallout graphic novel (When The Wind Blows), the final track on Maiden’s 15th album is every bit as bleak and unnerving as its subject matter would seem to demand, and yet this is as musically fascinating and lyrically brave as anything the band have recorded. Densely-layered and uncompromising, this one will take a few listens to sink in, but there is an insane amount of atmosphere and countless inspired melodic touches on display here. A stunning finale.

2 tane keyword var:
Post-nuclear fallout
(Harris)

Words: Dom Lawson

Iron maiden will release ‘The Final Frontier’ on August 16th.

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